Inglês · CESPE / CEBRASPE · 2024 | Questão sqc-ce175543

InglêsInterpretação de texto | Reading comprehension

Código: ce175543
Banca: CESPE / CEBRASPE
Órgão: ITAIPU BINACIONAL
Ano: 2024
Nível: Superior

Cargo: Profissional de Nível Universitário Júnior - Função: Publicitário

Text 19A4-I

It is a universal fact that cinema is a visual medium. Films have the power to overwhelm our senses as well as our minds, subjecting us to a variety of experiences that can range from the sublime to the devastating. Colours play a crucial role in this interesting phenomenon, forming an integral part of the composition of each frame and dictating how the viewer perceives the spectacle on the screen. Apart from the cinematic medium, colours have always been a part of our experience and how we make sense of the vastly nuanced world around us. Although science has definitively explained what colours are in terms of light, they have always mystified artists and philosophers like Arthur Schopenhauer and Ludwig Wittgenstein, who tried to understand their importance in anthropological frameworks.

More notably, the famous German poet and artist Johann Wolfgang von Goethe published a seminal exploration of colours in his 1810 work Theory of Colours. In it, he examined how each colour corresponds to various psychological states in the minds of human beings. He wrote, “Light and darkness, brightness and obscurity, or if a more general expression is preferred, light and its absence, are necessary to the production of colour… Colour itself is a degree of darkness.” Goethe’s theories might seem baselessly romantic in the 21st century but the underlying ideas have been implemented by filmmakers and cinematographers to curate the voyeuristic experiences of their audiences. Famed cinematographer Vittorio Storaro has based his artistic vision on Goethe’s work, insisting that colours do have a direct connection to the mind of the viewer.

Internet: <https://faroutmagazine.co.uk> (adapted).

According to text 19A4-I, filmmakers and cinematographers implement Johann Wolfgang von Goethe’s theories on colours

Afocusing solely on anthropological frameworks in their colour choices.
Bdismissing the relevance of colours in cinema.
Crelying on scientific explanations to use colors effectively.
Dutilizing colours to curate the experiences of their viewers.
Eavoiding the use of colours in their films entirely.

Revelar gabarito e comentário

GabaritoD — utilizing colours to curate the experiences of their viewers.

Comentário gerado por IA. É um apoio ao estudo, ancorado em fontes, mas pode conter imprecisões — confira sempre na fonte oficial (lei, súmula, edital e gabarito da banca). Encontrou um erro? Use “Reportar”.

Implementação das teorias de Goethe sobre as cores no cinema

Gabarito: D. O texto afirma que, embora as teorias de Goethe possam parecer "baselessly romantic" (românticas sem fundamento) no século XXI, "the underlying ideas have been implemented by filmmakers and cinematographers to curate the voyeuristic experiences of their audiences" — ou seja, os cineastas utilizam as cores para curar/criar as experiências dos espectadores, exatamente como descrito na alternativa D.

Alternativa A — ❌ Incorreta

"Focusing solely on anthropological frameworks in their colour choices." O texto menciona que filósofos como Schopenhauer e Wittgenstein tentaram entender a importância das cores em "estruturas antropológicas", mas não diz que cineastas se concentram exclusivamente nisso. Pelo contrário, eles aplicam as ideias de Goethe, que são mais psicológicas e românticas do que antropológicas.

Alternativa B — ❌ Incorreta

"Dismissing the relevance of colours in cinema." O texto claramente afirma que as cores são implementadas para curar experiências, o que demonstra relevância, não desprezo. Alternativa oposta ao texto.

Alternativa C — ❌ Incorreta

"Relying on scientific explanations to use colors effectively." O texto contrasta as teorias científicas com as de Goethe, e diz que os cineastas implementam as ideias de Goethe, não explicações científicas. Além disso, chama as teorias de Goethe de "românticas", indicando que não são científicas.

Alternativa D — ✅ Correta ⟵ GABARITO

"Utilizing colours to curate the experiences of their viewers." O texto explicita que as ideias de Goethe foram usadas para "curate the voyeuristic experiences of their audiences". A palavra "curate" é sinônimo de "curate" ou "orquestrar", confirmando a alternativa.

Alternativa E — ❌ Incorreta

"Avoiding the use of colours in their films entirely." O texto inteiro discute como as cores são fundamentais no cinema e como foram usadas com base em Goethe. Evitar totalmente as cores seria o exato oposto.

PEGA ESSA DICA!

Em questões de compreensão de texto, localize a frase-chave que corresponde diretamente à alternativa. Aqui, a expressão "curate the voyeuristic experiences" é a prova definitiva. Sempre busque evidência literal no texto antes de marcar.

Link permanente: /questoes/ce175543