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Questão de Inglês — Ensino da Língua Estrangeira Inglesa — CESGRANRIO 2026

InglêsEnsino da Língua Estrangeira Inglesa
Código
cg023968
Banca
CESGRANRIO
Órgão
Fundação Osório - RJ
Ano
2026
Nível
Superior
Cargo
Professor - Língua Estrangeira Moderna: Inglês
In applying Larsen-Freeman’s 3D approach to teaching a specific grammatical structure like the passive voice, the pedagogical sequence that best illustrates the integration of Form, Meaning, and Use while addressing the Challenge Principle is
  1. Afocusing exclusively on the accuracy of the form by providing a series of mechanical transformation drills, requiring students to change active sentences into passive ones to ensure the be + past participle pattern becomes a habit.
  2. Bensuring students can construct the morphosyntax (auxiliary be + past participle), explaining the semantic focus (defocusing the agent), and then implementing a context-sensitive task where students must choose between active and passive based on whether the agent is known or new information.
  3. Cdefining the structure as a static area of declarative knowledge by providing a list of verbs and their past participles for memorization, assuming that knowing the ‘how’ of the rules is sufficient for communication.
  4. Dadopting a non-interface position by providing abundant comprehensible input through reading passages and assuming that students will pick up the complex rules of passive use naturally without any explicit focus on form.
  5. Etreating the passive voice as a fixed set of rules with only one right answer and then testing students on their ability to identify the structure in isolated sentences without considering the social or discourse context.
Revelar gabarito e comentário

GabaritoB — ensuring students can construct the morphosyntax (auxiliary be + past participle), explaining the semantic focus (defocusing the agent), and then implementing a context-sensitive task where students must choose between active and passive based on whether the agent is known or new information.

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